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Photo by Yuti Chang
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Original oil painting on special paper 240 g/m2. Paper pasted on hardboard (Masonit). To frame without glass or under glass to create greater depth. La Calunnia
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Creative direction, Wig and Head prop: Shunsuke Meguro Photography: Nicole Ngaise Make-up: Tamayo Yamamoto using M.A.C cosmetics UK Models: Violet at NAMED MODELS, Molly Dilkes and Anne Louise De Vries at ELITE LONDON We made "Mixing the Future and the Past" because I have been making it ideal for a long time. And we decided to make something that combines hair and art. This work contains a theory of coinage. I believe that everything has front and back sides. Mixing the Future and the Past was inspired by the movie "2001: A Space Odyssey (1968) of the space in 2001" and an alien movie "Godzilla" in Japan, and thought about making a futuristic visual in an analog way. 2001: A Space Odyssey movie was made in 1968, a movie made at that time imagining 2001, So it contains a lot of very futuristic visuals. At that time, despite the fact that there was no CG technology and all the movies were made manually, the quality is higher than the space movie that is made in this era. From that I got interested in the contrast of the future stories contradictory to the possibilities of analog technology and expressed the beauty of conflicting things by mixing analogue camera and futuristic hair to this editorial. When I saw this, I was interested in places where digital processes such as CG are not included even though it is digital visual. This work contains conflicting elements of futuristic elements and analog photos. All of this editorial shoots with analog cameras and incorporates LED lights into the hair design that can be done manually and shows the contrast of contradicting elements. I believe that this work should be a work that makes us think about what the future is for people who saw it, Analogue. Works that obscure the boundary between the future and the past. Mixing the Future and the Past
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Model @adina_goanta Art director @vanessa_bartalesi Makeup artist @giulia_petreni Designer @siria_giampietro Collab @dadsit.it Agency @espritmodelmanagement Artistic group: SKILLS COMMUNITY VEILED LADY
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Graphite drawing inspired by a sculpture Angelique
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Original oil painting 116 x 73 cm - 2020. Pink ladies
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Photography: Dasha Denger Styling: Cloina Hair Stylist and Makeup Artist: Arpita Brahmbhatt Model: Kayla Williams Fisherman’s Daughter
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Photography + Styling: Kyungil Park At Vott Agency, Korea Model: Brianna Wood At Plutino Models, Canada + JS Agency, Korea The Light You Dream
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This series has assembled a large team of specialists, including an artist who provided her wonderful paintings. For @pictonmag Photo @pieelizaveta Style @ny.fashion_stylist Model @the_zavist Make up @nation.of.beauty Designer @hypnographic Access @odinokie_veshi Shoes @calipsoshoes_official Assistant @polivegaa Artwork @yana_kantsel Studio @loftalfama Elements: Water. Soil. Air
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Photography: Toshio Ohno Styling: Tomohiko Sawasaki /S-14/ Hair: Takai Jewelry: JUHA N Roygbiv
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Photographer: Simon Baungaard Styling: Denis Bjerregaard Hair: Sabina Simmelha Makeup: Stine Rasmussen Model: Pia Priewe at Le Management THE TIDE TURNS was conceived as a project on a beautiful fall evening. The sun was setting, casting a warm light on the boatyard sheds. The vessels had been hauled ashore and warped for the winter ahead. Soon everything would be grey, cold and wet. Summer, and sailing the ocean, would seem so far away. But right at this moment, everything seemed more warm and beautiful than ever. How do I turn this into a story, I asked myself? How do I get this atmosphere into a fashion story? Who is the person with the boat? How will this person spend the winter, when not on the sea? What would be an interesting character in this setting? I like taking inspiration from a scene or situation and work out an imaginative surrounding story. When shooting, this story evolves as the shoot progresses. I get to crossroads in the storyline and have to work out the characters next move, or the changes of the setting. What makes sense for the story? How do I find the balance between telling my version of the story, but still leave it open to interpretation for the viewer? This is my motivation for taking pictures. Fashion stories provide the canvas for my imaginative stories and bring them to life. Open to interpretation for others. THE TIDE TURNS
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Photographer: Manon Clavelier Styling: Mia Rafolo Hair: Nelson Douala -Bell Makeup: Elise Augé Model: Ashlynn White at IMG Models Thanks to Studio Concourt H+ : Beyond Humanity
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This project was my second appearance at “Golestan Palace” which was built during “Qajar Era”. The team decided to rebuild the whole design with garments and fabrics around the original walls. There were architectural elements used in the design. The garment used in this event had the highest quality available in the market at the time and video releases depicting this collection occurring during the “Fajr Festival” are available. Zarbahang
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Webitorial for Flanelle Mag Close to you
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Photography: Ginjiro Uemura Styling: Rieko Sanui Hair: Shinya Fukami Make-up: Kie Kiyohara Set Design: Nazuna Model: Ada at ZUCCA MODELS I was originally interested in paintings by Klimt, but while doing my research, I happened upon Klimt's protege, an Austrian painter named Egon Schiller. I became fascinated by his work, noted for its intensity and raw sexuality, in particular his brutal style and the twisted posing of his portraits. I found his self portrait to be his most attractive work, and the photo with the physalis in the background an Homage to his self portrait. In this work, I see him full of confidence and narcissism, as opposed to portraits of other models which are empty of expression and emotion. My interpretation of this stark difference is that it is born of an inferiority complex, part of his personality which in turn becomes a powerful energy that drives the artist. An energy that transmits itself through the work, and inspired our work. The Maiden
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Photographer: Agustin Farias Fashion Producer: Jesica Levy Styling: Raki Fernandez Hair and Makeup: Natalia Soboleva Models: Stacia Roz at The Fashion Management Berlin and Alexis Barbera at Indeed Model Management Photographer Assistant: Virginia Hernández In a nondescript urban setting two souls meet, breaking the monotony of their respective lives. Not belonging to their surroundings, they carry on their daily tasks, unaware of a neighboring city, where they might find their‘place’. They dream of another world. Wanting more than standard internet-contact. Their meeting was like aliens finding a common reality and so they realize how lucky they are. Despite their efforts to "blend in" they are unsuccessful and desolation can be read in their gaze. Grey birds is a modern story about society and the gap between a city’s forgotten youth and past legacies of an urban ideal. GREY BIRDS
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@solstice_mag issue 29 volume 2 Idea and styling @ggiada_sd Photographer @gabrielabluske St. Assistant @graziolifabiana Hair & make up @fravinciguerra Model @mevss_ @elitemodelworld . . #editorial#milan#mfw#lfw#pfw#nfw#autumn#style#styling#location#solsticemagazine#model#pose#beauty#locationshoot#fashionweek#fashionphotoshoot#fashionphotography MY GOOD PLACE
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Photographer: Golda Fruhmann Styling: Sophie Claussen and Christelle Leca Hair: Moe Mukai Makeup: Asuka Fukuda Model: Annika-Marie Leick at Modelwerk Production: Sophie Claussen and Golda Fruhmann New Vision
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Photographer: Cristiano Pedrocco Styling: Claudia Antonaci Hair and Makeup: Annalisa Parisi Model: Dashuta at The Fabbrica Photographer assistant: Saverio Pedrocco Special thanks to Stefania Belmonte Alba, Tramonto e Polvere
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