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On a morning when the dew has not yet rested on the rocks and on the threads of the nets, a spirit of the sea climbs the undertow of the waves. She leaves her “childish” clothes to wear a new life made of light and softness. Attracted by the spell of a free life, she plunges into her mirage but, over time, the earthly world manifests itself for what it really is: hopes shatter on the rocks. It seemed perfect, colorful and instead there is as much lightness as loneliness, as much sun as so much darkness, happiness accompanied by wounds. This new discovery torments the marine spirit, the wind that blows through her hair only increases her doubts: to stay and be unhappy or put aside pride and return to one’s origins. Thus she decides to put on her marine clothes and accessories proudly, more aware of her luck, of her experiences and of breaking into the maternal embrace of the salty sea. Salty Mirage
Photographer: Sorena Pirouzi Styling: Despina. Hair: Mahsa Rajaee Makeup: Elif Soufi Model: Melania Arzoomanian Post-Production: Kami Fore Fashion: Nafiseh Yazdan-Panah and Sarah Mahdian Jewelry: Mahsa Dehghan and Hossein Dorosti Special Thanks to Monsieur Mim Real Self And Ideal Self
Photography: Ko-Ta Shouji Styling: Chie Ninomiya Hair: Sho Tanaka Make-up: YOSHi.T Model: AmiAya (Ami + Aya) It is about anonymity. The mask hides the face and masks the occasion at times. There are also things that emerge by masking. It is a so-called signature. So this time the model has appointed AmiAya which is becoming an icon in Japan and around the world. They are popular expressionists with the same face on twins and same hairstyle with the same makeup and very iconic thing. A symbol called a piece to be seen by covering their face, which is a so-called icon, with a mask. Who Are You?
Creative direction, Wig and Head prop: Shunsuke Meguro Photography: Nicole Ngaise Make-up: Tamayo Yamamoto using M.A.C cosmetics UK Models: Violet at NAMED MODELS, Molly Dilkes and Anne Louise De Vries at ELITE LONDON We made "Mixing the Future and the Past" because I have been making it ideal for a long time. And we decided to make something that combines hair and art. This work contains a theory of coinage. I believe that everything has front and back sides. Mixing the Future and the Past was inspired by the movie "2001: A Space Odyssey (1968) of the space in 2001" and an alien movie "Godzilla" in Japan, and thought about making a futuristic visual in an analog way. 2001: A Space Odyssey movie was made in 1968, a movie made at that time imagining 2001, So it contains a lot of very futuristic visuals. At that time, despite the fact that there was no CG technology and all the movies were made manually, the quality is higher than the space movie that is made in this era. From that I got interested in the contrast of the future stories contradictory to the possibilities of analog technology and expressed the beauty of conflicting things by mixing analogue camera and futuristic hair to this editorial. When I saw this, I was interested in places where digital processes such as CG are not included even though it is digital visual. This work contains conflicting elements of futuristic elements and analog photos. All of this editorial shoots with analog cameras and incorporates LED lights into the hair design that can be done manually and shows the contrast of contradicting elements. I believe that this work should be a work that makes us think about what the future is for people who saw it, Analogue. Works that obscure the boundary between the future and the past. Mixing the Future and the Past
Limited edition of 10 handmade silver gelatine print on fibre base paper with natural gloss finish. Processed to meet archival standards. Each print is numbered and signed on the separate label at the back. Includes certificate of authenticity. Shipped in archival presentation box. print size 20 x 24 inch white boarder 3/4 inch “Hand Study no.1”
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