MUDISCH helps fashion and visual artists
to become better entrepreneurs!
Join, and Create your Professional network!
Join Network
Photo by Elsa + Johanna
Your Name
Your Location/Country
Your Profession
Golden User
As a professional artist, by getting a "Golden Tick" in MUDISCH, you can enjoy the opportunity to use MUDISCH features for three (3) years without paying any fee (3 years free).
You can be a "Golden User" having through creative and high-quality artwork on MUDISCH.
You can be a "Golden User" having through creative and high-quality artwork on MUDISCH.
0
9
2561
Everything Starts in Our Brain
“Everything starts in our brain, creating reality as we perceive it for ourselves” I would like to quote David Altmejd who says the head is the beginning and end of our universe. Everything Starts in Our Brain
9
2561
1
0
670
Dasha Astafieva
It's my Fine Art study! Pencil drawing, Size 21X29 cm Model: Dasha Astafieva Dasha Astafieva
0
670
2
0
718
Ballet
Belarusian ballet is unique and recognized in the world due to Valentine Elizariev. Belarusian ballet troupe conquered the theater stage and hearts of the audience of pretty much all main theaters. Fans of Elizariev's ballet are all over the world and speak different languages. They express the same ideas embedded in the graceful movements of dancers by brilliant masters of the ballet. Everyone engaged in what one loves, speakes the same language, and this language is LOVE. More photos: https://www.instagram.com/kaznadey.pro/ Ballet
0
718
3
2
537
2
537
4
3
468
Delicacy
Model test for Yulia Rose. I had been impressed by Julia when I created such light make up. She is so refined, tender and adorable girl. Photo by Olga Shirokova Delicacy
3
468
5
17
1538
SPACEGIRL
@latestmagazine OUT NOW #photographer @gabrielabluske #style concept and set design by me #model Caroline Kauer @karolkauer at @boommodels #makeup #hairstyle #nails @greta_ag Photography Assistant @santiagosalazar_ph . . . . #latestmagazine #editorial #fashion #photography #fashionphotographer #fashionph #fashioneditorial #fashionable #fashionista#vogue#elle#lofficiel#editorialteam#ny#london#paris#fw20#fashionmagazine #webitorial #space#photoshop#setdesign#spaceworld#mars SPACEGIRL
17
1538
6
13
3555
The Maiden
Photography: Ginjiro Uemura Styling: Rieko Sanui Hair: Shinya Fukami Make-up: Kie Kiyohara Set Design: Nazuna Model: Ada at ZUCCA MODELS I was originally interested in paintings by Klimt, but while doing my research, I happened upon Klimt's protege, an Austrian painter named Egon Schiller. I became fascinated by his work, noted for its intensity and raw sexuality, in particular his brutal style and the twisted posing of his portraits. I found his self portrait to be his most attractive work, and the photo with the physalis in the background an Homage to his self portrait. In this work, I see him full of confidence and narcissism, as opposed to portraits of other models which are empty of expression and emotion. My interpretation of this stark difference is that it is born of an inferiority complex, part of his personality which in turn becomes a powerful energy that drives the artist. An energy that transmits itself through the work, and inspired our work. The Maiden
13
3555
7
14
2134
SOMA
Photography: Yuji Watanabe Styling: Amany Gogo Hair and Make-up: Zi Long Model: Ludan Zhang SOMA
14
2134
8
2
780
BALANCE IN ALL
Photography: Nala Luuna Styling: Marie Revelut Hair and Make-up: Clement Riesen Model: Irya C. at CMODELS PARIS The attribution of identity depends on the things themselves or our vision of the world? The universal idea of the human? Or just my interpretation The multiplicity of a being does not systematically deprive him of a personality. How to reconcile mask and identity? I am becoming another, this mask is necessarily something that covers my identity, another face behind the same face, behind the ordinary face. Is Rimbaud right? the one for whom "I" is another. in this editorial it is a question of multiplicity in the clothes and the colors they come in contradiction of the different faces and the multiple me proposed through the masks which are here a second state a facade to the real. BALANCE IN ALL
2
780
9
19
5153
Who Are You?
Photography: Ko-Ta Shouji Styling: Chie Ninomiya Hair: Sho Tanaka Make-up: YOSHi.T Model: AmiAya (Ami + Aya) It is about anonymity. The mask hides the face and masks the occasion at times. There are also things that emerge by masking. It is a so-called signature. So this time the model has appointed AmiAya which is becoming an icon in Japan and around the world. They are popular expressionists with the same face on twins and same hairstyle with the same makeup and very iconic thing. A symbol called a piece to be seen by covering their face, which is a so-called icon, with a mask. Who Are You?
19
5153
10
12
2497
Losing The Mask
Photographer: Daniel Antropik Styling: Kamila Vay Hair and Makeup: Dagmara Borowska Model: Ewa Mikołajczyk at Rebel Models Fashion: Nikola Fedak , Brazi Druse Jewelry and Galeria Vintage "It’s all about fun. Carnival will be fun!” She says to herself. But first, she has to go out, and before that, there are multiple choices to make. Fashion choices. It about how she looks in the eyes of others, close and distant ones. It is about how she sees herself in a mirror. „What does this dress tell about me? Is it true to my personality? Or maybe that other one will be better.” Questions not easy to answer. It’s about the first impression, the mighty 3 seconds rule. It can be definitive in meeting new people. Will the perfect outfit help taking off the mask and become yourself in the ferocious fun? Losing The Mask
12
2497
11
24
3446
Mixing the Future and the Past
Creative direction, Wig and Head prop: Shunsuke Meguro Photography: Nicole Ngaise Make-up: Tamayo Yamamoto using M.A.C cosmetics UK Models: Violet at NAMED MODELS, Molly Dilkes and Anne Louise De Vries at ELITE LONDON We made "Mixing the Future and the Past" because I have been making it ideal for a long time. And we decided to make something that combines hair and art. This work contains a theory of coinage. I believe that everything has front and back sides. Mixing the Future and the Past was inspired by the movie "2001: A Space Odyssey (1968) of the space in 2001" and an alien movie "Godzilla" in Japan, and thought about making a futuristic visual in an analog way. 2001: A Space Odyssey movie was made in 1968, a movie made at that time imagining 2001, So it contains a lot of very futuristic visuals. At that time, despite the fact that there was no CG technology and all the movies were made manually, the quality is higher than the space movie that is made in this era. From that I got interested in the contrast of the future stories contradictory to the possibilities of analog technology and expressed the beauty of conflicting things by mixing analogue camera and futuristic hair to this editorial. When I saw this, I was interested in places where digital processes such as CG are not included even though it is digital visual. This work contains conflicting elements of futuristic elements and analog photos. All of this editorial shoots with analog cameras and incorporates LED lights into the hair design that can be done manually and shows the contrast of contradicting elements. I believe that this work should be a work that makes us think about what the future is for people who saw it, Analogue. Works that obscure the boundary between the future and the past. Mixing the Future and the Past
24
3446
12
16
1745
Birds
Photographer: Martijn Senders Styling: Richard Schreefel at Angelique Hoorn Management Hair: Blanca Murcia for Kevin Murphy at Angelique Hoorn Management Makeup: Yvonne Nusdorfer for NARS Cosmetics at Angelique Hoorn Management Models: Julie at Touche Models, Columba A. & Daan A. at Brooks Modeling Agency Assistant photographer: Leonie Van Vliet To me, fashion is not only about wearing beautiful clothes. It’s about renewal and expressing who you are. The fashion industry is one of the biggest industries in this world and with my pictures I not only try to create something beautiful, but I also want to make statements and therefore reach a lot of people. And that’s exactly what I tried to do with this series, that I call Birds. The name is inspired by the worldly famous 1963 horror-thriller movie The Birds, directed and produced by Alfred Hitchcock. The Birds is about un unexplained violent bird attack on the people of Bodega Bay, California over the course of a few days. Where one bird can do no harm, they can be dangerous when together in a large group. The villagers are forced to unite to defend themselves agains a bird attack and ultimately drive them away. The movie was inspired by a real-life event, when residents of Capitola in California awoke one August morning in 1961 to find sooty shearwaters slamming into their rooftops and their streets covered with dead birds. Although it’s a classic film, I’ve never seen it before. Until about two years ago, when the stylist and good friend Richard, who also had a big role in this production, demanded me to watch it. That was also the year when The Birds deemed ‘culturally, historically and aesthetically significant’ by the United States Library of Congress, and selected for preservation in its National Film Registry. There’s one scene that is known to be iconic and I dedicated eight images to this particular scene, translating my vision into this modern world. In this scene, Melanie and Mitch Brenner (played by Tippi Hedren and Rod Taylor), seek refuge inside the family home of the Brenners when it’s being attacked by waves of birds that nearly breach barricaded doors and windows. They violently attack Melanie, trapping here in the room until Mitch rescues her. Birds
16
1745
13
2
631
2
631
14
7
2025
The Vinyl Blink
Photographer: Aga Wojtuń Stylist: Bjorn Svenson Hair: Magda Dukat at Hairmate Makeup: Olga Wolska-Jerzak Model: Natalia Uliasz at Neva Models Production: Green Carrot Special thanks to the author of the Golden Mozaik of Mrs. Krystyna Starachocka-Zgud (design and implementation) and to National Muzeum in Cracow for providing access to the space of the former Cracovia Hotel. The Vinyl Blink
7
2025
15
1
382
1
382
16
0
461
0
461
17
0
454
TOTEM I
TOTEM 🎭 El futurismo representado en todas las razas, para mi este personaje materializa el futurismo de las tribus y la biotecnología @vogueitalia Fotografía / Estilismo: @santiagoalmo Personaje / Maquillaje: @daniherreraz TOTEM I
0
454
18
17
2922
Fisherman’s Daughter
Photography: Dasha Denger Styling: Cloina Hair Stylist and Makeup Artist: Arpita Brahmbhatt Model: Kayla Williams Fisherman’s Daughter
17
2922
19
9
1289
GRAY, MASK, TRUTH
Photography: Yoshiki Nakajima Styling: Saki Otsubo Hair: Erika Fung Make-up: Riina Model: Sakiko Tokunaga GRAY, MASK, TRUTH
9
1289
0
1
14
Call for Submissions
Would you like to submit your visual art (photography, illustrations, mixed arts) or creative writing (opinion, story, review) to AVESSA Magazine? AVESSA Mag truly believes in upcoming talent, so go to our website, review our guidelines, and submit your work now! More info at avessa.com/submit-your-work Call for Submissions
1
14
1
2
344
LYX Magazine, Issue 14 - Vol02 (Hard Copy)
Content: Fashion and Beauty 80 Pages ---- LYX Magazine: Milleh Kojima, Kovich, Yushi Tanimoto, Taka, Andrew Arismunandar, Wingky Wijaya, Nadhia, Kano, Susan Zhuang Brides, Jack Cimas, Mariana Wolke and Heloisa Grosskopf, Sar Torres, Omaley San Martin, Anna Fokina, Tata Promakh, Liubov Beniash, Viktor Ahlobonsky and Artem Raguzin, Natalia Nikolenko, Viktoria Firstova, Karina Krapiva, Location 223, Dario Tucci, Hanny, Giusy Costagliola, Sara Festinese, Paola Sardo, CmodelsCrew, Maria Tucci, Flavia Raddavero, Laura Delepine, FIRM, Lacroix Alice, Digital Creative Studio, Anna Antonova, Nastia Shuvaeva, Anna Monakhova, Julie Dubois, Yunaya, Venera, Renata Radjabali, Vera Petrenko, Mirana Atelier alta Moda LYX Magazine, Issue 14 - Vol02 (Hard Copy)
2
344
2
1
326
LYX Magazine, Issue 14 - Vol01 (Hard Copy)
Content: Fashion and Beauty 80 Pages ---- LYX Magazine: Milleh Kojima, Kovich, Yushi Tanimoto, Taka, Andrew Arismunandar, Wingky Wijaya, Nadhia, Kano, Susan Zhuang Brides, Jack Cimas, Mariana Wolke and Heloisa Grosskopf, Sar Torres, Omaley San Martin, Anna Fokina, Tata Promakh, Liubov Beniash, Viktor Ahlobonsky and Artem Raguzin, Natalia Nikolenko, Viktoria Firstova, Karina Krapiva, Location 223, Dario Tucci, Hanny, Giusy Costagliola, Sara Festinese, Paola Sardo, CmodelsCrew, Maria Tucci, Flavia Raddavero, Laura Delepine, FIRM, Lacroix Alice, Digital Creative Studio, Anna Antonova, Nastia Shuvaeva, Anna Monakhova, Julie Dubois, Yunaya, Venera, Renata Radjabali, Vera Petrenko, Mirana Atelier alta Moda LYX Magazine, Issue 14 - Vol01 (Hard Copy)
1
326
3
1
400
Behind Scene Of Cover Story Issue 577 - C1
Photographer: Masha Shph Manager & Style: Valeria Vorobyeva Makeup & Hair Stylist: Muah By Lucy Model: I Am Viria Video: Lazareva Works Behind Scene Of Cover Story Issue 577 - C1
1
400
4
0
642
May 2022, No.574 C#1 | Hard&Digital Copy
Oliver Keller, Melanie Vötter, Leni Teuteberg, Susanne Keller, Anna Fokina, Kseniya Demianenko-Novikova, Pauline Fomochkina ,Timur Khakimov, Ann Lin, Aliecia Brissett, Erika Fung, Leandro Avanco, Jinhan, Want Management, David Saavedra, Studio Transparent, Vera Karlsson Volkova, Isabell Carlberg, Olivia Malmberg, Want Management, UpNorth Management, Kira Nikitina, Yana, Uros Marjanovic, Marija Vitez, Sladja Tomic, Ljubica Lazic, Divya Prashar, Sapna Yadav, Pooja Prashar, Ashreypuri, Punya Makeupandhair, Shivam Dhar, Richa Dave, Eevaalines, Rita Bulatova, Madeby Burninhellbtchs, Maftuna Makhmudova, Lev Kevin, Maxim Doroshenko, Anna Chembartseva, Elena Komarova, Ksenia Trubenko. May 2022, No.574 C#1 | Hard&Digital Copy
0
642
This is for you!
Create your network
Discover the world’s top artists & creatives!
MUDISCH is a Fashion and Art (Visual Art) conscious company built to enable creative expression and collaboration.
WE BUILD THE FUTURE
JOIN, AND CREATE YOUR PROFESSIONAL NETWORK!
JOIN, AND CREATE YOUR PROFESSIONAL NETWORK!