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Photo by Kyungil Park

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As a professional artist, by getting a "Golden Tick" in MUDISCH, you can enjoy the opportunity to use MUDISCH features for three (3) years without paying any fee (3 years free).
You can be a "Golden User" having through creative and high-quality artwork on MUDISCH.
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Behind every mask, there is a face Behind every face there is a weakness Gaze Into My Eyes Painted in 2020 120 cm x 100 cm Gaze Into My Eyes
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two beautiful girls have recently woken up and are going somewhere. Objects and furnishings reminds us of 19th century romance The Morning
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Creative direction, Wig and Head prop: Shunsuke Meguro Photography: Nicole Ngaise Make-up: Tamayo Yamamoto using M.A.C cosmetics UK Models: Violet at NAMED MODELS, Molly Dilkes and Anne Louise De Vries at ELITE LONDON We made "Mixing the Future and the Past" because I have been making it ideal for a long time. And we decided to make something that combines hair and art. This work contains a theory of coinage. I believe that everything has front and back sides. Mixing the Future and the Past was inspired by the movie "2001: A Space Odyssey (1968) of the space in 2001" and an alien movie "Godzilla" in Japan, and thought about making a futuristic visual in an analog way. 2001: A Space Odyssey movie was made in 1968, a movie made at that time imagining 2001, So it contains a lot of very futuristic visuals. At that time, despite the fact that there was no CG technology and all the movies were made manually, the quality is higher than the space movie that is made in this era. From that I got interested in the contrast of the future stories contradictory to the possibilities of analog technology and expressed the beauty of conflicting things by mixing analogue camera and futuristic hair to this editorial. When I saw this, I was interested in places where digital processes such as CG are not included even though it is digital visual. This work contains conflicting elements of futuristic elements and analog photos. All of this editorial shoots with analog cameras and incorporates LED lights into the hair design that can be done manually and shows the contrast of contradicting elements. I believe that this work should be a work that makes us think about what the future is for people who saw it, Analogue. Works that obscure the boundary between the future and the past. Mixing the Future and the Past
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Pictured is an artist proof in gypsum cement and steel for a piece called Opulent (Neutered). The composition was in reaction to the various overwhelming fears that permeated through most aspects of life in the summer of 2020. Fear is a dominant emotion and combined with material opulence, we have the tendency to divorce ourselves from reasoned perspectives and slip into tribal disputes rather than working together to build a stronger society. Opulent (Neutered)
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Photography: Mike Ying Styling: Ai Takahashi Hair: Rena Kobayashi Makeup: Yumi Asakawa Model: Katya G. at Wizard Model Managment INEI
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Goddes in pink
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Model: Lera Shutovskaya @polonaamy from @selectmgmt 💛 Photo: Katya Vituord @vituord Creative Director: Anna Archen @annaarchen MuaH: Fariza @farizarodriguez Retouch: Olga Drogaytcevа @drogaytceva_retouch Location: @photoplay_ru Beauty Lera
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Pure Montreal Anna Pacitto
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Photographer: Simon Baungaard Styling: Denis Bjerregaard Hair: Sabina Simmelha Makeup: Stine Rasmussen Model: Pia Priewe at Le Management THE TIDE TURNS was conceived as a project on a beautiful fall evening. The sun was setting, casting a warm light on the boatyard sheds. The vessels had been hauled ashore and warped for the winter ahead. Soon everything would be grey, cold and wet. Summer, and sailing the ocean, would seem so far away. But right at this moment, everything seemed more warm and beautiful than ever. How do I turn this into a story, I asked myself? How do I get this atmosphere into a fashion story? Who is the person with the boat? How will this person spend the winter, when not on the sea? What would be an interesting character in this setting? I like taking inspiration from a scene or situation and work out an imaginative surrounding story. When shooting, this story evolves as the shoot progresses. I get to crossroads in the storyline and have to work out the characters next move, or the changes of the setting. What makes sense for the story? How do I find the balance between telling my version of the story, but still leave it open to interpretation for the viewer? This is my motivation for taking pictures. Fashion stories provide the canvas for my imaginative stories and bring them to life. Open to interpretation for others. THE TIDE TURNS
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Photography: Toshio Ohno Styling: Tomohiko Sawasaki /S-14/ Hair: Takai Jewelry: JUHA N Roygbiv
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Photography + Styling: Kyungil Park At Vott Agency, Korea Model: Brianna Wood At Plutino Models, Canada + JS Agency, Korea The Light You Dream
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Photography: Yoshiki Nakajima Styling: Saki Otsubo Hair: Erika Fung Make-up: Riina Model: Sakiko Tokunaga GRAY, MASK, TRUTH
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Photographer: Tina Picard Styling: Vera Lipatova Hair: Melanie Guille Makeup: Anissa Zabala Model: Sosheba at FENTON Models We wanted to showcase a strong, powerful woman facing today's world, wearing bold colors (especially red) to showcase that power. A STRONG AND POWERFUL WOMAN
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Inspiration by Christo and Jeanne-Claude Photographer: Ko-ta Shouji Styling: Chie Ninomiya Hair: Daisuke Mukai Makeup: Yoshi.T Model: Yuri at Tateoka Office Model Management Christo and Jeanne-Claude
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“Everything starts in our brain, creating reality as we perceive it for ourselves” I would like to quote David Altmejd who says the head is the beginning and end of our universe. Everything Starts in Our Brain
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PHOTOGRAPHY PROJECT FOR MUDISCH ART ORGANIZATION! Photography: Ko-ta Shouji Makeup: YOSHi.T Model: Yuka Nakao Scars, Part-Two
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Pink Shower Curtain Couture Pink Shower Curtain Couture
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Retoucher - Maria Chervonaya Model - Kristina Varivoda Photographer & stylist - Elena Kunitcyna Muah - Regina Yagofarova Modelagency - Renessans Models "My Only Indulgence" for 7Hues Magazine
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Content: Fashion and Beauty 80 Pages ---- LYX Magazine: Ferran Casanova, Alicia Medina, Sight Management, Cristian Beta, Arolab Organic, Lorena Resa, Meforu Photography, Liza, Wirama Pratama, Rinaldy Yunardi, Jack Cimas, Mariana Wolke and Heloisa Grosskopf, Sar Torres, Omaley San Martin, Natalja Schleiger, Julia Kieslich, Pauline St Denis, Peyote Jaye, Ezel Mustaffa, Ford Page, Corrine, Daniel S.Hagy, Rafi Benatar, Lia Vsliavslia, Anna Fokina, Dmitry Kovalev, Daria Kvitzel, Rafi Benatar, Justyna Oliviar, Sorena Pirouzi, Elnaz Barzan, Aref Karimi ---- Hard Copy: https://www.magcloud.com/browse/issue/2525426 LYX Magazine, Issue 17 - Vol04 (Digital Copy)
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Selfish Style Magazine is a new version of LYUN magazine. We accept Fashion, Beauty, Sensual/Boudoir, Homme, Plus-Size, Selfish Style No.08 | Vol.01
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Selfish Style Magazine is a new version of LYUN magazine. We accept Fashion, Beauty, Sensual/Boudoir, Homme, Plus-Size, Selfish Style No.08 | Vol.03
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Selfish Style Magazine is a new version of LYUN magazine. We accept Fashion, Beauty, Sensual/Boudoir, Homme, Plus-Size, Selfish Style No.06 | Vol.01
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APHRO Sensual Magazine Artists who contributed to this issue include: John Pryke, Yvonne Wellington-Smythe, Lampros Kalfuntzos, Lauren Louise, Laurent Ringeval, Angélique Adrien, Olga Zhdanova, Valeria Namazova, Parsa Aref, Paniz, Zenniesha Opakul, Valeria Baliuk, Dave McDermott, Debbie Leema, Yauhen Yerchak, Anna Berry ------ Hard Copy: https://www.magcloud.com/browse/issue/2513199 APHRO Golden Issue No.19
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Petr Vydra is pro
Prague, Czech Republic
Photographer
Gary McGillivray-Birnie
Stavanger, Norway & Aberdeen Scotland, Norway
Photographer
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