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Photo by Ingmar Hoogerhoud
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Cover story for December 2020 Elle Croatia Producer Daniele Carettoni at Espresso Productions Photographer Iris Brosch Stylist Tania Tuka Make up artist Angie Moullin Hair stylist Delphine Bonnet Model Iran at Women360 Model Anna Sophia Evers at Women360 Retoucher Gorgeous Agency ELLE Croatia cover
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Cover story for December 2020 Elle Croatia Producer Daniele Carettoni at Espresso Productions Photographer Iris Brosch Stylist Tania Tuka Make up artist Angie Moullin Hair stylist Delphine Bonnet Model Iran at Women360 Model Anna Sophia Evers at Women360 Retoucher Gorgeous Agency Digital cover
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Photography: Ginjiro Uemura Styling: Rieko Sanui Hair: Shinya Fukami Make-up: Kie Kiyohara Set Design: Nazuna Model: Ada at ZUCCA MODELS I was originally interested in paintings by Klimt, but while doing my research, I happened upon Klimt's protege, an Austrian painter named Egon Schiller. I became fascinated by his work, noted for its intensity and raw sexuality, in particular his brutal style and the twisted posing of his portraits. I found his self portrait to be his most attractive work, and the photo with the physalis in the background an Homage to his self portrait. In this work, I see him full of confidence and narcissism, as opposed to portraits of other models which are empty of expression and emotion. My interpretation of this stark difference is that it is born of an inferiority complex, part of his personality which in turn becomes a powerful energy that drives the artist. An energy that transmits itself through the work, and inspired our work. The Maiden
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CAT SMOKY EYES
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Editorial The Prince for Sicky Magazine Photographer: Yongqi Liu @ivanliu_ Model: Nora Vai @noravai The Prince
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Out now SPRING ISSUE 10 on DESNUDO ITALIA photographer: VERONICA BORRIELLO @veronica.borrielloph styling: GIADA GRAZIOLI @ggiada_sd makeup-hair: ORIANA CURTI @orianacurti Model: BRAVE MODELS @alexandra.molchanova Head above water
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Pure montreal anna pacitto
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Creative direction, Wig and Head prop: Shunsuke Meguro Photography: Nicole Ngaise Make-up: Tamayo Yamamoto using M.A.C cosmetics UK Models: Violet at NAMED MODELS, Molly Dilkes and Anne Louise De Vries at ELITE LONDON We made "Mixing the Future and the Past" because I have been making it ideal for a long time. And we decided to make something that combines hair and art. This work contains a theory of coinage. I believe that everything has front and back sides. Mixing the Future and the Past was inspired by the movie "2001: A Space Odyssey (1968) of the space in 2001" and an alien movie "Godzilla" in Japan, and thought about making a futuristic visual in an analog way. 2001: A Space Odyssey movie was made in 1968, a movie made at that time imagining 2001, So it contains a lot of very futuristic visuals. At that time, despite the fact that there was no CG technology and all the movies were made manually, the quality is higher than the space movie that is made in this era. From that I got interested in the contrast of the future stories contradictory to the possibilities of analog technology and expressed the beauty of conflicting things by mixing analogue camera and futuristic hair to this editorial. When I saw this, I was interested in places where digital processes such as CG are not included even though it is digital visual. This work contains conflicting elements of futuristic elements and analog photos. All of this editorial shoots with analog cameras and incorporates LED lights into the hair design that can be done manually and shows the contrast of contradicting elements. I believe that this work should be a work that makes us think about what the future is for people who saw it, Analogue. Works that obscure the boundary between the future and the past. Mixing the Future and the Past
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#team #photographer @veronica.borr #model my baby @mevss_ #style and #idea @ggiada_sd #makeup #hair @graziolifabiana . METAMORPHOSIS
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Silver mask , tulle and organza collar. Silver mask story
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I needed some air at the end of this long isolation. I found it in her. Airism
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Make-up glamour. A studio session with talented MUA Aya Bissenova @aya_bissenova_mua Photographer: Gary McGillivray-Birnie Model: Diana Hasselblad H6d-50c with Lens: 80mm ISO: 100, f/8, 1/160s Lighting: Profoto 2 light set-up www.mcgillivraybirniephotography.com https://www.instagram.com/mcgillivraybirniephotography/ Sparkle
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Photography: Yuji Watanabe Styling: Amany Gogo Hair and Make-up: Zi Long Model: Ludan Zhang SOMA
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Photography: Ko-Ta Shouji Styling: Chie Ninomiya Hair: Sho Tanaka Make-up: YOSHi.T Model: AmiAya (Ami + Aya) It is about anonymity. The mask hides the face and masks the occasion at times. There are also things that emerge by masking. It is a so-called signature. So this time the model has appointed AmiAya which is becoming an icon in Japan and around the world. They are popular expressionists with the same face on twins and same hairstyle with the same makeup and very iconic thing. A symbol called a piece to be seen by covering their face, which is a so-called icon, with a mask. Who Are You?
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Human today Thinkless bodies
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Photographer: @tiffany.sin Model: @kr____is Agency: @wantmanagement Makeup: @lisakolmakova Retoucher:@karaskevich.retoucher Beauty Kris
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exclusive for FLANELLE MAGAZINE Story: It all came from a glance. Eyes dancing to meet. The silent promise of a return, of another dance together. Those same places that recalled moments of past love and now only her eyes relive what it was. LIGHT MELANCHOLY
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Photographer: Yongqi Liu @ivanliu_ Model: YANA DOBROLIUBOVA @yananay1 YANA
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@solstice_mag , editorial from Issue 33: Spring, Volumes 1 . . #model @tingtinghu3313 @women_milano #ph @gabrielabluske #makeup#hair @mariacarlini.mua #drawings #styling #concept @ggiada_sd @kumamilano #magazinecover #cover #model #fashion #fashioneditorial #fashionmagazine #nyc #editorial #beauty #fashioneditorial #portrait#hair #makeup #london #spring#solsticemagazine#milan#drawing#likeadrawing# LIKE A DRAWING
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Original oil painting on special paper 240 g/m2. Paper pasted on hardboard (Masonit). To frame without glass or under glass to create greater depth. La Calunnia