MUDISCH helps fashion and visual artists
to become better entrepreneurs!
Join, and Create your Professional network!
Join Network
Photo by Daniel Martin
Your Name
Your Location/Country
Your Profession
Golden User
As a professional artist, by getting a "Golden Tick" in MUDISCH, you can enjoy the opportunity to use MUDISCH features for three (3) years without paying any fee (3 years free).
You can be a "Golden User" having through creative and high-quality artwork on MUDISCH.
You can be a "Golden User" having through creative and high-quality artwork on MUDISCH.
0
24
5027
Mixing the Future and the Past
Creative direction, Wig and Head prop: Shunsuke Meguro Photography: Nicole Ngaise Make-up: Tamayo Yamamoto using M.A.C cosmetics UK Models: Violet at NAMED MODELS, Molly Dilkes and Anne Louise De Vries at ELITE LONDON We made "Mixing the Future and the Past" because I have been making it ideal for a long time. And we decided to make something that combines hair and art. This work contains a theory of coinage. I believe that everything has front and back sides. Mixing the Future and the Past was inspired by the movie "2001: A Space Odyssey (1968) of the space in 2001" and an alien movie "Godzilla" in Japan, and thought about making a futuristic visual in an analog way. 2001: A Space Odyssey movie was made in 1968, a movie made at that time imagining 2001, So it contains a lot of very futuristic visuals. At that time, despite the fact that there was no CG technology and all the movies were made manually, the quality is higher than the space movie that is made in this era. From that I got interested in the contrast of the future stories contradictory to the possibilities of analog technology and expressed the beauty of conflicting things by mixing analogue camera and futuristic hair to this editorial. When I saw this, I was interested in places where digital processes such as CG are not included even though it is digital visual. This work contains conflicting elements of futuristic elements and analog photos. All of this editorial shoots with analog cameras and incorporates LED lights into the hair design that can be done manually and shows the contrast of contradicting elements. I believe that this work should be a work that makes us think about what the future is for people who saw it, Analogue. Works that obscure the boundary between the future and the past. Mixing the Future and the Past
24
5027
1
6
1626
Swish n' flick
Swish n' flick Model: Cristina Garces Photographer: Gary McGillivray-Birnie @mcgillivraybirniephotography Hair: Andrea Connolly Hair Makeup: Kelly-Marie Waters Hasselblad H6D-50c with 120mm Macro lens ISO 100, f/6.3, 1/100s www.mcgillivraybirniephotography.com Swish n' flick
6
1626
2
3
1753
Arielle
Natural window light Model: Arielle Giles Photographer: Gary McGillivray-Birnie Hasselblad H6D-50c and HC 80mm lens ISO 800, f/4, 1/125s www.mcgillivraybirniephotography.com https://www.instagram.com/mcgillivraybirniephotography/ Arielle
3
1753
3
0
1415
0
1415
4
5
2791
INEI
Photography: Mike Ying Styling: Ai Takahashi Hair: Rena Kobayashi Makeup: Yumi Asakawa Model: Katya G. at Wizard Model Managment INEI
5
2791
5
13
5031
The Maiden
Photography: Ginjiro Uemura Styling: Rieko Sanui Hair: Shinya Fukami Make-up: Kie Kiyohara Set Design: Nazuna Model: Ada at ZUCCA MODELS I was originally interested in paintings by Klimt, but while doing my research, I happened upon Klimt's protege, an Austrian painter named Egon Schiller. I became fascinated by his work, noted for its intensity and raw sexuality, in particular his brutal style and the twisted posing of his portraits. I found his self portrait to be his most attractive work, and the photo with the physalis in the background an Homage to his self portrait. In this work, I see him full of confidence and narcissism, as opposed to portraits of other models which are empty of expression and emotion. My interpretation of this stark difference is that it is born of an inferiority complex, part of his personality which in turn becomes a powerful energy that drives the artist. An energy that transmits itself through the work, and inspired our work. The Maiden
13
5031
6
12
7517
12
7517
7
4
1565
4
1565
8
0
1717
0
1717
9
3
25
3
25
10
3
2378
GRAY, MASK, TRUTH
Photography: Yoshiki Nakajima Styling: Saki Otsubo Hair: Erika Fung Make-up: Riina Model: Sakiko Tokunaga GRAY, MASK, TRUTH
3
2378
11
3
1324
3
1324
12
4
3209
The Morning
two beautiful girls have recently woken up and are going somewhere. Objects and furnishings reminds us of 19th century romance The Morning
4
3209
13
0
1670
0
1670
14
16
4417
THE TIDE TURNS
Photographer: Simon Baungaard Styling: Denis Bjerregaard Hair: Sabina Simmelha Makeup: Stine Rasmussen Model: Pia Priewe at Le Management THE TIDE TURNS was conceived as a project on a beautiful fall evening. The sun was setting, casting a warm light on the boatyard sheds. The vessels had been hauled ashore and warped for the winter ahead. Soon everything would be grey, cold and wet. Summer, and sailing the ocean, would seem so far away. But right at this moment, everything seemed more warm and beautiful than ever. How do I turn this into a story, I asked myself? How do I get this atmosphere into a fashion story? Who is the person with the boat? How will this person spend the winter, when not on the sea? What would be an interesting character in this setting? I like taking inspiration from a scene or situation and work out an imaginative surrounding story. When shooting, this story evolves as the shoot progresses. I get to crossroads in the storyline and have to work out the characters next move, or the changes of the setting. What makes sense for the story? How do I find the balance between telling my version of the story, but still leave it open to interpretation for the viewer? This is my motivation for taking pictures. Fashion stories provide the canvas for my imaginative stories and bring them to life. Open to interpretation for others. THE TIDE TURNS
16
4417
15
12
3424
Christo and Jeanne-Claude
Inspiration by Christo and Jeanne-Claude Photographer: Ko-ta Shouji Styling: Chie Ninomiya Hair: Daisuke Mukai Makeup: Yoshi.T Model: Yuri at Tateoka Office Model Management Christo and Jeanne-Claude
12
3424
16
12
4043
Losing The Mask
Photographer: Daniel Antropik Styling: Kamila Vay Hair and Makeup: Dagmara Borowska Model: Ewa Mikołajczyk at Rebel Models Fashion: Nikola Fedak , Brazi Druse Jewelry and Galeria Vintage "It’s all about fun. Carnival will be fun!” She says to herself. But first, she has to go out, and before that, there are multiple choices to make. Fashion choices. It about how she looks in the eyes of others, close and distant ones. It is about how she sees herself in a mirror. „What does this dress tell about me? Is it true to my personality? Or maybe that other one will be better.” Questions not easy to answer. It’s about the first impression, the mighty 3 seconds rule. It can be definitive in meeting new people. Will the perfect outfit help taking off the mask and become yourself in the ferocious fun? Losing The Mask
12
4043
17
0
1361
Summer crave
Summer crave was shot during a very short break in between lockdown 4 and 5 in Melbourne. We were sick of isolation, we craved the sun more than we ever did Summer crave
0
1361
18
7
1790
Fearless Fall
Photographer Sezen Tezic @sezen.tezic Model Tiana Marcano @tiana_marcano @emg_models Makeup Tanya Marques @tanyagmarques Hair Casondra Rolph @hairbycasondra Fashion Stylist Stephanie Henriquez @Stephanie_henriquez Assistant Tommy Gee @newyorkloveny Fearless Fall
7
1790
19
1
1413
1
1413
0
0
3228
LYX Magazine, Issue 17 - Vol04 (Digital Copy)
Content: Fashion and Beauty 80 Pages ---- LYX Magazine: Ferran Casanova, Alicia Medina, Sight Management, Cristian Beta, Arolab Organic, Lorena Resa, Meforu Photography, Liza, Wirama Pratama, Rinaldy Yunardi, Jack Cimas, Mariana Wolke and Heloisa Grosskopf, Sar Torres, Omaley San Martin, Natalja Schleiger, Julia Kieslich, Pauline St Denis, Peyote Jaye, Ezel Mustaffa, Ford Page, Corrine, Daniel S.Hagy, Rafi Benatar, Lia Vsliavslia, Anna Fokina, Dmitry Kovalev, Daria Kvitzel, Rafi Benatar, Justyna Oliviar, Sorena Pirouzi, Elnaz Barzan, Aref Karimi ---- Hard Copy: https://www.magcloud.com/browse/issue/2525426 LYX Magazine, Issue 17 - Vol04 (Digital Copy)
0
3228
1
0
2961
Selfish Style No.08 | Vol.01
Selfish Style Magazine is a new version of LYUN magazine. We accept Fashion, Beauty, Sensual/Boudoir, Homme, Plus-Size, Selfish Style No.08 | Vol.01
0
2961
2
0
2716
Selfish Style No.08 | Vol.03
Selfish Style Magazine is a new version of LYUN magazine. We accept Fashion, Beauty, Sensual/Boudoir, Homme, Plus-Size, Selfish Style No.08 | Vol.03
0
2716
3
0
3004
Selfish Style No.06 | Vol.01
Selfish Style Magazine is a new version of LYUN magazine. We accept Fashion, Beauty, Sensual/Boudoir, Homme, Plus-Size, Selfish Style No.06 | Vol.01
0
3004
4
1
3009
APHRO Golden Issue No.19
APHRO Sensual Magazine Artists who contributed to this issue include: John Pryke, Yvonne Wellington-Smythe, Lampros Kalfuntzos, Lauren Louise, Laurent Ringeval, Angélique Adrien, Olga Zhdanova, Valeria Namazova, Parsa Aref, Paniz, Zenniesha Opakul, Valeria Baliuk, Dave McDermott, Debbie Leema, Yauhen Yerchak, Anna Berry ------ Hard Copy: https://www.magcloud.com/browse/issue/2513199 APHRO Golden Issue No.19
1
3009
This is for you!
Create your network
Discover the world’s top artists & creatives!
MUDISCH is a Fashion and Art (Visual Art) conscious company built to enable creative expression and collaboration.
WE BUILD THE FUTURE
JOIN, AND CREATE YOUR PROFESSIONAL NETWORK!
JOIN, AND CREATE YOUR PROFESSIONAL NETWORK!