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Pictured is an artist proof in gypsum cement and steel for a piece called Opulent (Neutered). The composition was in reaction to the various overwhelming fears that permeated through most aspects of life in the summer of 2020. Fear is a dominant emotion and combined with material opulence, we have the tendency to divorce ourselves from reasoned perspectives and slip into tribal disputes rather than working together to build a stronger society. Opulent (Neutered)
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Photographer: Daniel Antropik Styling: Kamila Vay Hair and Makeup: Dagmara Borowska Model: Ewa Mikołajczyk at Rebel Models Fashion: Nikola Fedak , Brazi Druse Jewelry and Galeria Vintage "It’s all about fun. Carnival will be fun!” She says to herself. But first, she has to go out, and before that, there are multiple choices to make. Fashion choices. It about how she looks in the eyes of others, close and distant ones. It is about how she sees herself in a mirror. „What does this dress tell about me? Is it true to my personality? Or maybe that other one will be better.” Questions not easy to answer. It’s about the first impression, the mighty 3 seconds rule. It can be definitive in meeting new people. Will the perfect outfit help taking off the mask and become yourself in the ferocious fun? Losing The Mask
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Photographer: Simon Baungaard Styling: Denis Bjerregaard Hair: Sabina Simmelha Makeup: Stine Rasmussen Model: Pia Priewe at Le Management THE TIDE TURNS was conceived as a project on a beautiful fall evening. The sun was setting, casting a warm light on the boatyard sheds. The vessels had been hauled ashore and warped for the winter ahead. Soon everything would be grey, cold and wet. Summer, and sailing the ocean, would seem so far away. But right at this moment, everything seemed more warm and beautiful than ever. How do I turn this into a story, I asked myself? How do I get this atmosphere into a fashion story? Who is the person with the boat? How will this person spend the winter, when not on the sea? What would be an interesting character in this setting? I like taking inspiration from a scene or situation and work out an imaginative surrounding story. When shooting, this story evolves as the shoot progresses. I get to crossroads in the storyline and have to work out the characters next move, or the changes of the setting. What makes sense for the story? How do I find the balance between telling my version of the story, but still leave it open to interpretation for the viewer? This is my motivation for taking pictures. Fashion stories provide the canvas for my imaginative stories and bring them to life. Open to interpretation for others. THE TIDE TURNS
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Photographer: Yongqi Liu @ivanliu_ Model: YANA DOBROLIUBOVA @yananay1 YANA
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Graphite drawing inspired by a sculpture Angelique
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PHOTOGRAPHY PROJECT FOR MUDISCH ART ORGANIZATION! Photography: Ko-ta Shouji Makeup: YOSHi.T Model: Yuka Nakao Scars To Your Beautiful For MUDISCH, P-One
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TOTEM 🎭 El futurismo representado en todas las razas, para mi este personaje materializa el futurismo de las tribus y la biotecnología @vogueitalia Fotografía / Estilismo: @santiagoalmo Personaje / Maquillaje: @daniherreraz TOTEM I
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Photography: Yoshiki Nakajima Styling: Saki Otsubo Hair: Erika Fung Make-up: Riina Model: Sakiko Tokunaga GRAY, MASK, TRUTH
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50 * 70 Bernini sculpture
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Fashion Editorial Sabina
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Out now SPRING ISSUE 10 on DESNUDO ITALIA photographer: VERONICA BORRIELLO @veronica.borrielloph styling: GIADA GRAZIOLI @ggiada_sd makeup-hair: ORIANA CURTI @orianacurti Model: BRAVE MODELS @alexandra.molchanova Head above water
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Photography: Ginjiro Uemura Styling: Rieko Sanui Hair: Shinya Fukami Make-up: Kie Kiyohara Set Design: Nazuna Model: Ada at ZUCCA MODELS I was originally interested in paintings by Klimt, but while doing my research, I happened upon Klimt's protege, an Austrian painter named Egon Schiller. I became fascinated by his work, noted for its intensity and raw sexuality, in particular his brutal style and the twisted posing of his portraits. I found his self portrait to be his most attractive work, and the photo with the physalis in the background an Homage to his self portrait. In this work, I see him full of confidence and narcissism, as opposed to portraits of other models which are empty of expression and emotion. My interpretation of this stark difference is that it is born of an inferiority complex, part of his personality which in turn becomes a powerful energy that drives the artist. An energy that transmits itself through the work, and inspired our work. The Maiden
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This editorial reposts on PHOTO VOGUE, Italy Photo VOGUE | Real-Self v Idea-Self
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Belarusian ballet is unique and recognized in the world due to Valentine Elizariev. Belarusian ballet troupe conquered the theater stage and hearts of the audience of pretty much all main theaters. Fans of Elizariev's ballet are all over the world and speak different languages. They express the same ideas embedded in the graceful movements of dancers by brilliant masters of the ballet. Everyone engaged in what one loves, speakes the same language, and this language is LOVE. More photos: https://www.instagram.com/kaznadey.pro/ Ballet
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Photographer: Martijn Senders Styling: Richard Schreefel at Angelique Hoorn Management Hair: Blanca Murcia for Kevin Murphy at Angelique Hoorn Management Makeup: Yvonne Nusdorfer for NARS Cosmetics at Angelique Hoorn Management Models: Julie at Touche Models, Columba A. & Daan A. at Brooks Modeling Agency Assistant photographer: Leonie Van Vliet To me, fashion is not only about wearing beautiful clothes. It’s about renewal and expressing who you are. The fashion industry is one of the biggest industries in this world and with my pictures I not only try to create something beautiful, but I also want to make statements and therefore reach a lot of people. And that’s exactly what I tried to do with this series, that I call Birds. The name is inspired by the worldly famous 1963 horror-thriller movie The Birds, directed and produced by Alfred Hitchcock. The Birds is about un unexplained violent bird attack on the people of Bodega Bay, California over the course of a few days. Where one bird can do no harm, they can be dangerous when together in a large group. The villagers are forced to unite to defend themselves agains a bird attack and ultimately drive them away. The movie was inspired by a real-life event, when residents of Capitola in California awoke one August morning in 1961 to find sooty shearwaters slamming into their rooftops and their streets covered with dead birds. Although it’s a classic film, I’ve never seen it before. Until about two years ago, when the stylist and good friend Richard, who also had a big role in this production, demanded me to watch it. That was also the year when The Birds deemed ‘culturally, historically and aesthetically significant’ by the United States Library of Congress, and selected for preservation in its National Film Registry. There’s one scene that is known to be iconic and I dedicated eight images to this particular scene, translating my vision into this modern world. In this scene, Melanie and Mitch Brenner (played by Tippi Hedren and Rod Taylor), seek refuge inside the family home of the Brenners when it’s being attacked by waves of birds that nearly breach barricaded doors and windows. They violently attack Melanie, trapping here in the room until Mitch rescues her. Birds
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Photography: Nala Luuna Styling: Marie Revelut Hair and Make-up: Clement Riesen Model: Irya C. at CMODELS PARIS The attribution of identity depends on the things themselves or our vision of the world? The universal idea of the human? Or just my interpretation The multiplicity of a being does not systematically deprive him of a personality. How to reconcile mask and identity? I am becoming another, this mask is necessarily something that covers my identity, another face behind the same face, behind the ordinary face. Is Rimbaud right? the one for whom "I" is another. in this editorial it is a question of multiplicity in the clothes and the colors they come in contradiction of the different faces and the multiple me proposed through the masks which are here a second state a facade to the real. BALANCE IN ALL
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Photography and Styling: Malene Kristopine Økland Model: Ingvild P THEN is a story reflecting about time passing. It is about weared out memories, and worn out clothes. Memories that have been, that I have tried to capture without knowing them. I have exclusively used clothes from my grandmothers house, where I’ve found some great treasures. I love vintage clothing because I know there is a story to every piece. To know that the story belongs to my grandmother, or someone else in my family, makes it even more special to me. THEN
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pure montreal anna pacitto
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“Everything starts in our brain, creating reality as we perceive it for ourselves” I would like to quote David Altmejd who says the head is the beginning and end of our universe. Everything Starts in Our Brain
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Content: Fashion and Beauty 80 Pages ---- LYX Magazine: Ferran Casanova, Alicia Medina, Sight Management, Cristian Beta, Arolab Organic, Lorena Resa, Meforu Photography, Liza, Wirama Pratama, Rinaldy Yunardi, Jack Cimas, Mariana Wolke and Heloisa Grosskopf, Sar Torres, Omaley San Martin, Natalja Schleiger, Julia Kieslich, Pauline St Denis, Peyote Jaye, Ezel Mustaffa, Ford Page, Corrine, Daniel S.Hagy, Rafi Benatar, Lia Vsliavslia, Anna Fokina, Dmitry Kovalev, Daria Kvitzel, Rafi Benatar, Justyna Oliviar, Sorena Pirouzi, Elnaz Barzan, Aref Karimi ---- Hard Copy: https://www.magcloud.com/browse/issue/2525426 LYX Magazine, Issue 17 - Vol04 (Digital Copy)
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Selfish Style Magazine is a new version of LYUN magazine. We accept Fashion, Beauty, Sensual/Boudoir, Homme, Plus-Size, Selfish Style No.08 | Vol.01
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Selfish Style Magazine is a new version of LYUN magazine. We accept Fashion, Beauty, Sensual/Boudoir, Homme, Plus-Size, Selfish Style No.08 | Vol.03
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Selfish Style Magazine is a new version of LYUN magazine. We accept Fashion, Beauty, Sensual/Boudoir, Homme, Plus-Size, Selfish Style No.06 | Vol.01
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APHRO Sensual Magazine Artists who contributed to this issue include: John Pryke, Yvonne Wellington-Smythe, Lampros Kalfuntzos, Lauren Louise, Laurent Ringeval, Angélique Adrien, Olga Zhdanova, Valeria Namazova, Parsa Aref, Paniz, Zenniesha Opakul, Valeria Baliuk, Dave McDermott, Debbie Leema, Yauhen Yerchak, Anna Berry ------ Hard Copy: https://www.magcloud.com/browse/issue/2513199 APHRO Golden Issue No.19
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Petr Vydra is pro
Prague, Czech Republic
Photographer
Gary McGillivray-Birnie
Stavanger, Norway & Aberdeen Scotland, Norway
Photographer
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