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Photography: Ginjiro Uemura Styling: Rieko Sanui Hair: Shinya Fukami Make-up: Kie Kiyohara Set Design: Nazuna Model: Ada at ZUCCA MODELS I was originally interested in paintings by Klimt, but while doing my research, I happened upon Klimt's protege, an Austrian painter named Egon Schiller. I became fascinated by his work, noted for its intensity and raw sexuality, in particular his brutal style and the twisted posing of his portraits. I found his self portrait to be his most attractive work, and the photo with the physalis in the background an Homage to his self portrait. In this work, I see him full of confidence and narcissism, as opposed to portraits of other models which are empty of expression and emotion. My interpretation of this stark difference is that it is born of an inferiority complex, part of his personality which in turn becomes a powerful energy that drives the artist. An energy that transmits itself through the work, and inspired our work. The Maiden
Swish n' flick Model: Cristina Garces Photographer: Gary McGillivray-Birnie @mcgillivraybirniephotography Hair: Andrea Connolly Hair Makeup: Kelly-Marie Waters Hasselblad H6D-50c with 120mm Macro lens ISO 100, f/6.3, 1/100s www.mcgillivraybirniephotography.com Swish n' flick
She is exploring her boundaries. She is freeing herself for the better life. She is surrounded by the emptiness of sands with the only living creature to touch. Or maybe it is herself she is touching. Perhaps the creature she only cares about is her own self, because she is meant to survive the emptiness.... Photoshoot with colour filters and a snake. The snake sets his rules, model is just improvising. There were three colour sets: Sun Oasis Fire Legend of Sands. Oasis
Location; Tehran, Iran 2018 In this beauty editorial, apart from the general concept of showing women’s appearance and feminine passion, the strength of the work is the creativity in choosing the background, using plastic on the colored paper, that creates a linear reflection, which is in harmony with the makeup lines; it somehow gives this editorial a special attraction. Lines Reflection For L'OFFICIEL