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Fire and emotion. What do you think? Model: Eleonora Flaum Photographer: Gary McGillivray-Birnie @mcgillivraybirniephotography H6D-50c with 150mm lens ISO 100, f/8, 1/200s Lighting setup with a one 5' octa and reflector www.mcgillivraybirniephotography.com Fire & Emotion
Jenna posing in front of some old creates on top of an old rail carriage. The background creates the scene with these wooden crates. Whilst Jenna is wearing a trench coat in mid afternoon during the hot summer in Orlando, Florida. Natural light. Photo: Gary McGillivray-Birnie @mcgillivraybirniephotography Model: Jenna @jenna_elisabeth_ Taken on the Sony A7rii Lens: 70-200mm f/2.8GM ISO 400, f/3.5, 1/100s www.mcgillivraybirniephotography.com Jenna
Not likely model: Shay @peyoteshots Photo: Gary McGillivray-Birnie Photography @mcgillivraybirniephotography Makeup: Kelly-Marie Waters Hair: Andrea Connolly Hair Shot taken with Hasselblad H6D-50c with 100mm ISO 100, f/8, 1/160s Using Profoto one strobe bounced off the wall and the other behind the model for creativity. Not Likely
Photography: Nala Luuna Styling: Marie Revelut Hair and Make-up: Clement Riesen Model: Irya C. at CMODELS PARIS The attribution of identity depends on the things themselves or our vision of the world? The universal idea of the human? Or just my interpretation The multiplicity of a being does not systematically deprive him of a personality. How to reconcile mask and identity? I am becoming another, this mask is necessarily something that covers my identity, another face behind the same face, behind the ordinary face. Is Rimbaud right? the one for whom "I" is another. in this editorial it is a question of multiplicity in the clothes and the colors they come in contradiction of the different faces and the multiple me proposed through the masks which are here a second state a facade to the real. BALANCE IN ALL