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Photography: Ginjiro Uemura Styling: Rieko Sanui Hair: Shinya Fukami Make-up: Kie Kiyohara Set Design: Nazuna Model: Ada at ZUCCA MODELS I was originally interested in paintings by Klimt, but while doing my research, I happened upon Klimt's protege, an Austrian painter named Egon Schiller. I became fascinated by his work, noted for its intensity and raw sexuality, in particular his brutal style and the twisted posing of his portraits. I found his self portrait to be his most attractive work, and the photo with the physalis in the background an Homage to his self portrait. In this work, I see him full of confidence and narcissism, as opposed to portraits of other models which are empty of expression and emotion. My interpretation of this stark difference is that it is born of an inferiority complex, part of his personality which in turn becomes a powerful energy that drives the artist. An energy that transmits itself through the work, and inspired our work. The Maiden
Beautiful skin......just a drop away Model: Ushasi Sinha @ushasisinha Photographer: Gary McGillivray-Birnie @mcgillivraybirniephotography MUA: Faby @fabybeautymua Hair Stylist: Marina @myhairdressermarina Hasselblad H6D-50c with 150mm lens ISO 100, f/10, 1/125s Profoto Beauty Dish and B2's www.mcgillivraybirniephotography.com Just a drop away
Photographer: Sorena Pirouzi Styling: Despina. Hair: Mahsa Rajaee Makeup: Elif Soufi Model: Melania Arzoomanian Post-Production: Kami Fore Fashion: Nafiseh Yazdan-Panah and Sarah Mahdian Jewelry: Mahsa Dehghan and Hossein Dorosti Special Thanks to Monsieur Mim Real Self And Ideal Self
Photography: Nala Luuna Styling: Marie Revelut Hair and Make-up: Clement Riesen Model: Irya C. at CMODELS PARIS The attribution of identity depends on the things themselves or our vision of the world? The universal idea of the human? Or just my interpretation The multiplicity of a being does not systematically deprive him of a personality. How to reconcile mask and identity? I am becoming another, this mask is necessarily something that covers my identity, another face behind the same face, behind the ordinary face. Is Rimbaud right? the one for whom "I" is another. in this editorial it is a question of multiplicity in the clothes and the colors they come in contradiction of the different faces and the multiple me proposed through the masks which are here a second state a facade to the real. BALANCE IN ALL
Jenna posing in front of some old creates on top of an old rail carriage. The background creates the scene with these wooden crates. Whilst Jenna is wearing a trench coat in mid afternoon during the hot summer in Orlando, Florida. Natural light. Photo: Gary McGillivray-Birnie @mcgillivraybirniephotography Model: Jenna @jenna_elisabeth_ Taken on the Sony A7rii Lens: 70-200mm f/2.8GM ISO 400, f/3.5, 1/100s www.mcgillivraybirniephotography.com Jenna