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And It Still Remains
Photographer: Hideyuki Sato Styling: Hitomi Matsuno Hair: Erika Fung Makeup: Miwa Hirose Model: Lee Yoko at LIGHT management And It Still Remains
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PLANET ALICE
Photographer: Muriel Liebmann Styling: Leah Adicoff Hair: Dylan Chavles using Oribe at art department Make-up: Alexa Hernandez Model: Alissa Salls at the Lions LA PLANET ALICE
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1933
GRAY, MASK, TRUTH
Photography: Yoshiki Nakajima Styling: Saki Otsubo Hair: Erika Fung Make-up: Riina Model: Sakiko Tokunaga GRAY, MASK, TRUTH
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1933
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BALANCE IN ALL
Photography: Nala Luuna Styling: Marie Revelut Hair and Make-up: Clement Riesen Model: Irya C. at CMODELS PARIS The attribution of identity depends on the things themselves or our vision of the world? The universal idea of the human? Or just my interpretation The multiplicity of a being does not systematically deprive him of a personality. How to reconcile mask and identity? I am becoming another, this mask is necessarily something that covers my identity, another face behind the same face, behind the ordinary face. Is Rimbaud right? the one for whom "I" is another. in this editorial it is a question of multiplicity in the clothes and the colors they come in contradiction of the different faces and the multiple me proposed through the masks which are here a second state a facade to the real. BALANCE IN ALL
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INEI
Photography: Mike Ying Styling: Ai Takahashi Hair: Rena Kobayashi Makeup: Yumi Asakawa Model: Katya G. at Wizard Model Managment INEI
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Vintage Wana
This is a photo manipulation series titled Vintage Wana from a previous photoshoot. Vintage Wana
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MATRIX
Photographer: Beqa Chokoshvili Fashion Designer: Aka Prodiashvili Model: Lika Rigvava Coordinator: Mary Bitchashvili MATRIX
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The Maiden
Photography: Ginjiro Uemura Styling: Rieko Sanui Hair: Shinya Fukami Make-up: Kie Kiyohara Set Design: Nazuna Model: Ada at ZUCCA MODELS I was originally interested in paintings by Klimt, but while doing my research, I happened upon Klimt's protege, an Austrian painter named Egon Schiller. I became fascinated by his work, noted for its intensity and raw sexuality, in particular his brutal style and the twisted posing of his portraits. I found his self portrait to be his most attractive work, and the photo with the physalis in the background an Homage to his self portrait. In this work, I see him full of confidence and narcissism, as opposed to portraits of other models which are empty of expression and emotion. My interpretation of this stark difference is that it is born of an inferiority complex, part of his personality which in turn becomes a powerful energy that drives the artist. An energy that transmits itself through the work, and inspired our work. The Maiden
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Real Self And Ideal Self
Photographer: Sorena Pirouzi Styling: Despina. Hair: Mahsa Rajaee Makeup: Elif Soufi Model: Melania Arzoomanian Post-Production: Kami Fore Fashion: Nafiseh Yazdan-Panah and Sarah Mahdian Jewelry: Mahsa Dehghan and Hossein Dorosti Special Thanks to Monsieur Mim Real Self And Ideal Self
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Journey to Transparency
Photographer: Alberto Pelayo Stylist: Sebastian Palomares Beauty Direction: Manuel Montanari Hair: Antonia Deffenu Artwork: Nicola Bortoli Model: Giane Alves at WOMEN MGT MILANO Journey to Transparency
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"White yarn" - Self Love
She feels herself. She is free in her world. She is the love. Model: Snejana Tachkova. "White yarn" - Self Love
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1995
The Prince
Editorial The Prince for Sicky Magazine Photographer: Yongqi Liu @ivanliu_ Model: Nora Vai @noravai The Prince
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1995
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Arielle
Natural window light Model: Arielle Giles Photographer: Gary McGillivray-Birnie Hasselblad H6D-50c and HC 80mm lens ISO 800, f/4, 1/125s www.mcgillivraybirniephotography.com https://www.instagram.com/mcgillivraybirniephotography/ Arielle
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Fisherman’s Daughter
Photography: Dasha Denger Styling: Cloina Hair Stylist and Makeup Artist: Arpita Brahmbhatt Model: Kayla Williams Fisherman’s Daughter
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