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Photography: Ko-Ta Shouji Styling: Chie Ninomiya Hair: Sho Tanaka Make-up: YOSHi.T Model: AmiAya (Ami + Aya) It is about anonymity. The mask hides the face and masks the occasion at times. There are also things that emerge by masking. It is a so-called signature. So this time the model has appointed AmiAya which is becoming an icon in Japan and around the world. They are popular expressionists with the same face on twins and same hairstyle with the same makeup and very iconic thing. A symbol called a piece to be seen by covering their face, which is a so-called icon, with a mask. Who Are You?
Photographer: Martijn Senders Styling: Richard Schreefel at Angelique Hoorn Management Hair: Blanca Murcia for Kevin Murphy at Angelique Hoorn Management Makeup: Yvonne Nusdorfer for NARS Cosmetics at Angelique Hoorn Management Models: Julie at Touche Models, Columba A. & Daan A. at Brooks Modeling Agency Assistant photographer: Leonie Van Vliet To me, fashion is not only about wearing beautiful clothes. It’s about renewal and expressing who you are. The fashion industry is one of the biggest industries in this world and with my pictures I not only try to create something beautiful, but I also want to make statements and therefore reach a lot of people. And that’s exactly what I tried to do with this series, that I call Birds. The name is inspired by the worldly famous 1963 horror-thriller movie The Birds, directed and produced by Alfred Hitchcock. The Birds is about un unexplained violent bird attack on the people of Bodega Bay, California over the course of a few days. Where one bird can do no harm, they can be dangerous when together in a large group. The villagers are forced to unite to defend themselves agains a bird attack and ultimately drive them away. The movie was inspired by a real-life event, when residents of Capitola in California awoke one August morning in 1961 to find sooty shearwaters slamming into their rooftops and their streets covered with dead birds. Although it’s a classic film, I’ve never seen it before. Until about two years ago, when the stylist and good friend Richard, who also had a big role in this production, demanded me to watch it. That was also the year when The Birds deemed ‘culturally, historically and aesthetically significant’ by the United States Library of Congress, and selected for preservation in its National Film Registry. There’s one scene that is known to be iconic and I dedicated eight images to this particular scene, translating my vision into this modern world. In this scene, Melanie and Mitch Brenner (played by Tippi Hedren and Rod Taylor), seek refuge inside the family home of the Brenners when it’s being attacked by waves of birds that nearly breach barricaded doors and windows. They violently attack Melanie, trapping here in the room until Mitch rescues her. Birds
@latestmagazine OUT NOW #photographer @gabrielabluske #style concept and set design by me #model Caroline Kauer @karolkauer at @boommodels #makeup #hairstyle #nails @greta_ag Photography Assistant @santiagosalazar_ph . . . . #latestmagazine #editorial #fashion #photography #fashionphotographer #fashionph #fashioneditorial #fashionable #fashionista#vogue#elle#lofficiel#editorialteam#ny#london#paris#fw20#fashionmagazine #webitorial #space#photoshop#setdesign#spaceworld#mars SPACEGIRL
Creative direction, Wig and Head prop: Shunsuke Meguro Photography: Nicole Ngaise Make-up: Tamayo Yamamoto using M.A.C cosmetics UK Models: Violet at NAMED MODELS, Molly Dilkes and Anne Louise De Vries at ELITE LONDON We made "Mixing the Future and the Past" because I have been making it ideal for a long time. And we decided to make something that combines hair and art. This work contains a theory of coinage. I believe that everything has front and back sides. Mixing the Future and the Past was inspired by the movie "2001: A Space Odyssey (1968) of the space in 2001" and an alien movie "Godzilla" in Japan, and thought about making a futuristic visual in an analog way. 2001: A Space Odyssey movie was made in 1968, a movie made at that time imagining 2001, So it contains a lot of very futuristic visuals. At that time, despite the fact that there was no CG technology and all the movies were made manually, the quality is higher than the space movie that is made in this era. From that I got interested in the contrast of the future stories contradictory to the possibilities of analog technology and expressed the beauty of conflicting things by mixing analogue camera and futuristic hair to this editorial. When I saw this, I was interested in places where digital processes such as CG are not included even though it is digital visual. This work contains conflicting elements of futuristic elements and analog photos. All of this editorial shoots with analog cameras and incorporates LED lights into the hair design that can be done manually and shows the contrast of contradicting elements. I believe that this work should be a work that makes us think about what the future is for people who saw it, Analogue. Works that obscure the boundary between the future and the past. Mixing the Future and the Past
for @pap_magazine Photography & Retouch by @janette_gloor_photography ㅡ Styling by @ggiada_sd ㅡ Hair and Makeup by @mariacarlini.mua ㅡ Starring by @irene_lenzi @nextmodelsmilan @nextmodels ㅡ published by @kangdm in exclusive for PAP MAGAZINE ㅡ link in bio @kumamilano @isabella.ponte #fashioneditorial#lightmyworld#lights#fashionphotography#fashionstyle#editorial#may2020#Stayhome#pap#papmagazine#nextmodelsmilan#nextmodels#milan#ss20 Light my world
@solstice_mag , editorial from Issue 33: Spring, Volumes 1 . . #model @tingtinghu3313 @women_milano #ph @gabrielabluske #makeup#hair @mariacarlini.mua #drawings #styling #concept @ggiada_sd @kumamilano #magazinecover #cover #model #fashion #fashioneditorial #fashionmagazine #nyc #editorial #beauty #fashioneditorial #portrait#hair #makeup #london #spring#solsticemagazine#milan#drawing#likeadrawing# LIKE A DRAWING
Photographer: Simon Baungaard Styling: Denis Bjerregaard Hair: Sabina Simmelha Makeup: Stine Rasmussen Model: Pia Priewe at Le Management THE TIDE TURNS was conceived as a project on a beautiful fall evening. The sun was setting, casting a warm light on the boatyard sheds. The vessels had been hauled ashore and warped for the winter ahead. Soon everything would be grey, cold and wet. Summer, and sailing the ocean, would seem so far away. But right at this moment, everything seemed more warm and beautiful than ever. How do I turn this into a story, I asked myself? How do I get this atmosphere into a fashion story? Who is the person with the boat? How will this person spend the winter, when not on the sea? What would be an interesting character in this setting? I like taking inspiration from a scene or situation and work out an imaginative surrounding story. When shooting, this story evolves as the shoot progresses. I get to crossroads in the storyline and have to work out the characters next move, or the changes of the setting. What makes sense for the story? How do I find the balance between telling my version of the story, but still leave it open to interpretation for the viewer? This is my motivation for taking pictures. Fashion stories provide the canvas for my imaginative stories and bring them to life. Open to interpretation for others. THE TIDE TURNS
Photography: Ginjiro Uemura Styling: Rieko Sanui Hair: Shinya Fukami Make-up: Kie Kiyohara Set Design: Nazuna Model: Ada at ZUCCA MODELS I was originally interested in paintings by Klimt, but while doing my research, I happened upon Klimt's protege, an Austrian painter named Egon Schiller. I became fascinated by his work, noted for its intensity and raw sexuality, in particular his brutal style and the twisted posing of his portraits. I found his self portrait to be his most attractive work, and the photo with the physalis in the background an Homage to his self portrait. In this work, I see him full of confidence and narcissism, as opposed to portraits of other models which are empty of expression and emotion. My interpretation of this stark difference is that it is born of an inferiority complex, part of his personality which in turn becomes a powerful energy that drives the artist. An energy that transmits itself through the work, and inspired our work. The Maiden
This series has assembled a large team of specialists, including an artist who provided her wonderful paintings. For @pictonmag Photo @pieelizaveta Style @ny.fashion_stylist Model @the_zavist Make up @nation.of.beauty Designer @hypnographic Access @odinokie_veshi Shoes @calipsoshoes_official Assistant @polivegaa Artwork @yana_kantsel Studio @loftalfama Elements: Water. Soil. Air